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Pierre Vadi view of the exhibition Hell is chrome at the Château d'eau, 2009. Photo Damien Aspe, ©Le Printemps de Septembre—à Toulouse
Production le Printemps de Septembre
Born in 1966 in Sion (Switzerland), he lives in Geneva.
This Swiss artist likes putting together make-believe geographical environments, fictional spaces which he makes with object-sculptures, either hyperrealist or of resin, various kinds of installations, maps and architectural interventions. Mental images, unknown kinds of meteorology, moonscapes which are as if vitrified, his art invites viewers into a revisited space-time frame.
With Hell is Chrome, Pierre Vadi has taken over the whole Château d’Eau, and built his world inside it.
What does the festival’s subtitle “Here where I am doesn’t exist” mean to you?
First of all it made me think of that joke you could read on a Richard Prince picture:
“Two people meet in the doorway of a psychoanalyst.
-Hallo. Are you coming or going?
-If I knew that, I wouldn’t be here.”
I also thought it was a serious, possibly solemn title, and maybe pretentious too. It’s okay. Something about disappearance and invention. Building worlds. It’s a real title, with no obligations. It even inspires nothing; but it seems to permit everything.
What does art help you accomplish?
If accomplishing means completely finishing something, then nothing, “endless execution”, but time passes […] at breakneck speed.
Production le Printemps de septembre.